Between sometime in 2020 and January 19, 2026, I didn’t add anything to this website, miriamdym.com. {1] If you click here, or above on the ABOUT link, you'll see what was fresh back in mid-2020. [2] On behalf of and within this "professional artist" website, I have not given myself permission to mention anything personal. Nor until now have I ever considered doing so.This website has implied, through its existence and its format, that only one aspect of my life may be visib

What began as a production studio for block-printed textiles evolved into multi-year research for a visual tool / process / system that...

The visual by-products of a system that shows decisions, whether conscious or unconcious, intentional or accidental. A record of patterns...

Block printing in one of the most expensive locations in North America. Dym | california textiles, was an artisan studio / workshop that...

In 2006, I freaked out about trash. I harvested all non-recyclable and non-compostable trash that I and my family generated, from about...

Logo Removal is a service that, as written on the website, "excises unwanted brand names, logos, tags, stains, marks etc. In their stead,...

Energy Being comes from the far, far distant future. (Preferred pronoun : EB) Energy Being finds the humans of this era fascinating, as...

Dym Products, alter ego as a corporation. An unruly, oblique, queasily anti-consumption kind of corporation. My focal web presence was...

Lately when I draw, it is because words are falling from the air.

A selection of sketchy works, related and different. DRAWINGS 2016 Brush + ink on inkjet prints Each 8.5" x 11" Little Paper Planes...

Whatever words were loudest, I put them on a billboard. Part of Use It All Up. Transforming (non-recyclable) laminated digital prints and...

Installations created around fictional maps which I drew on a computer. Felt wild and a little radical back in the late 1990s. Freeing: I could undo all my "mistakes," which helped decrease the critical noises in my head (my internalized verison of voices of those cranky old white men, my teachers? perhaps!). The installations included heavy use of digital drawing software, tons of inkjet printing, and often screen- and digitally printed textiles, fluorescent lighting, and f

From around 1992 through 2001 I focused my attention on machines, factories, and urban infrastructure, ideally decaying. Rather than try...